ACCIDENTAL WITNESS (shooting)
Agasverus Productions. Sisters Nina and Maria became unwilling witnesses to the activities of the mafia. Nina managed to remember the car number on which gangsters had escaped and she worries that she didn't report this information to the police immediately.
After a day of shopping girls are showing the nightgowns they just bought. Nina shares her fears with her sister, but Maria tells to forget the incident. Nina wants to do so but she doesn't know that the gangsters have tracked down them already. All this time a killer was hidden in the next room, who listened to their conversation.
The killer takes out a gun with a silencer and kills the sisters despite their beggings for mercy. Each sister receives three shots in the chest and one more control shot before the killer leaves their apartment.
Starring: Yasnara and Bella Belaya
DEATH AT DAWN (Hanging)
Victoria is executed by hanging.
Starring: Victoria, Monica and Orsi
PHOTOGRAPHER GUILLOTINE AMELIA (guillotine, decap)
Full Script: The scene is a bondage model/damsel in distress peril video and photography shoot for a bondage and leg fetish website. The model (A) arrives wearing a short skirt/blouse (in the John Willie/Gwendolyn tradition) and stiletto heels (alternately a latex or leather outfit….I don’t know what costuming is available). The photographer explains that he will be tying her up and she will be posing in a variety of positions that highlight her “peril” but are focused on her legs. The guillotine is in the room, but currently covered up. I would like this filmed so that her legs are viewable in their entirety throughout the video.
He asks her to put her hair up, and he binds her upper body tightly…hands behind her back, ropes around her elbow etc. He then directs her to pose in a variety of scenes, showing her “terror” and featuring her legs…writhing to get of her bonds, etc. She is moving around the covered guillotine, even sitting on the plank, crossing her legs, and wondering what it is under the sheet…he defers these questions as he tells her he wants to record her actual “shock” when she sees what it is…
He gets a phone call and excuses himself, and her curiosity gets the better of her and she manages to get the cover off of the guillotine while he is out of the room. It is set up for a kneeling beheading. She is a little panicked at first, and asks him what it is all about when he returns….
He tells her he was hoping that she unveiled it as a camera has captured her shock. He assures her it is just a harmless prop and part of the scene. He tells her he would like to place her in it…she is unsure and resists, but he calms her and tells her it is just a prop. She tells him she is worried he’ll trick her or that it would accidently cut off her head, but reassures her.
He has her pose on the plank in all sorts of positions with her legs, then finally asks if she is ready to put her head in the lunette under the blade… she is nervous, but she says she trusts him. Slowly and cautiously, she kneels down and she stares at the machine.
She is reluctant at first, but you convince her, and over time she slides into the lunette and you pull the stocks down. She is nervous at first, but kind of excited by it once her neck is under the blade. She comments about how sharp it looked and how both scared and turned people must have been when faced with execution by the device. She asks how she might look without a head…you reassure her that although she would look great, that she needn’t worry about that…it is all safe.
She then muses about what it would be like to lose her head, how it is actually kind of a turn on to think about being a damsel in distress and having her head actually cut off, what you do with her once she was headless….and you both kind of laugh it off.
You tell her to act like she is really going to be beheaded and act afraid….in response, she “begs” you to save her head. After a little of this, you ask her to now act like she wants to be beheaded…she’s getting into it and starts “begging” you to behead her…you ask her to do it, again and again….she’s getting into it, overacting…..you finally say, “well, if you insist”…she realizes what you are going to do, cries “no” but you release the blade…
..Her body shudders, legs kick. The camera focuses on her headless body….you remove the leather basket….
Scene switches to an NBM scene with headless body on a chair, crossing her legs.
Starring: Amelia
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