Femme Fatalities Message Board

"Shooter Fun 32" is a new release from Wild Stories studio that features Iwona, Sophie, and Milana in a series of short clips featuring topless shooting scenarios.

There are no lingering bullet holes, just digital blood effects from suppressed pistol shots. No plot, no music, just 16 minutes of this trifecta of tantalizing tarts in nice clothing getting drilled. What's not to like?

I've said it before and I'll say it again... boobies + bullets + hi-res = WIN.

I needn't give any further descriptions, as these screencaps will show you all you need to know...
Now I've made mention more than once before about how "clean" and "crisp" all of Antony's vids look. As a rule, they have a quality to them that I haven't seen elsewhere, and while some of this is certainly his personal attention to detail in terms of clothing selected, the "sterile" environments in which he shoots, and his stellar camera work, I can't help but wonder if some of this lies in the equipment itself. Allow me to indulge in the best comparison I know of from my own experiences...

In the world of long-range shooting, there is often much more of a financial investment in the optics than the rifle itself. When you are looking through the glass just before dusk at a target 800 meters out, the difference in glass quality really presents itself.

That is why medical instruments and high-end rifle scopes cost so much. To the average hunter, and 95% of the public, a scope that costs a couple hundred bucks does the job just fine.

But for those who want the pinnacle of long-range resolution under high magnification in all environments, you'd better get ready to spend ten times that or more.

Only Antony knows what he uses to film with, and perhaps he'll see fit to enlighten us on the details, but I'd bet a wooden nickel it has lenses that didn't come from a department store.

Regardless, I'm sure glad he's got what he's got, because it always looks amazing. Keep up the good work, mate! Cheers! - indie

Support your producers, folks!!

Buy this vid direct from him or order your own custom here: wildstories.studio@gmail.com

Interestin gpoints there, Indie film Fan. Yup I have made and scripted a few movies now with Antony, (and I purchsedt his particular one, just last week!) and I do agree with you. Antony has rare talent at how he sets up, photographs, lights and clothes his actresses. He is just an amazingly talented guy who knows how to photograph beautiful desireable women, some people have the knack and he ertainly has got it! I think it is more than just his cameras and lenses that he uses, it's the lighting, the positioning, directing and also what they wear and how they wear it which works.

As for the best cameras of all, IMO they are owned by another Russian company that iis currently dormant because of Covid-19, Indiefilm fan - Victimization which I believe you know of. They have the best and most HD cameras in the Indie film world, in fact material they have sent me hasn't played on my old PC's because it is just so big/large and advanced at 4,800 size, so I had to break out more RAM just to accommodate them.
You should also look at and review a few of their movies too, on this little thread of yours!

I believe I sent them an email a little while back, when I decided to open my thread up to anything. I hadn't seen them post anything here for a while, so I thought I'd reach out to them. I haven't heard anything back from them yet, perhaps because of the virus, like you said.

Victimization were sadly forced in to mothballs back in the Autumn, Mr IndieFilmFan. Since then they've been dormant, I do hope that they can resume trading in the second half of this year, but the last I heard, things are not smiling for them

OK, here are two more from Antony's "Mandragora" label ala Wild Stories studio. Harkening back to the golden days of..... 2015... and coming in at 11 and 12 minutes, "Fight Scenes Mix 1 and 2" are shooter's collages with no lingering wounds or blood, only digital effects.

They star the lovely Yasnara and Natalie.

Starting with part 1: Let's not mince words here... this is very clearly made to please a certain clientele, so I'll lay it on you and you can decide if you're that kind of cool cat or not.

Ray guns are all that are used in this vid, and when shot in each scene, the girls give us an erotic, very exaggerated, loooooong bit of moaning and writhing before finally giving up the ghost.

The only thing I can think of to compare it to is Paul Reubens' demise in the end of the original "Buffy the Vampire Slayer" movie, lol! Thankfully, our girls here are better looking and infinitely more erotic in their performances.

There are a few costume changes, but a few things that are a constant in this film are black nylons, high heels, and splayed wide-open legs revealing panties after each death. I haven't seen so many panty-clad snatch shots since I stood under the bleachers and looked up at the cheerleaders in junior high.

Take a gander for yourself..... if you dare... :
So if you like LOTS of suggestive moaning, writhing, nylons, high heels, and panties, without any gore to obstruct your view... this is UNQUESTIONABLY your flick. And as one has come to expect from Antony's vids, there are considerable camera pans after each death scene.



*** continued in next post ***

Didn't get enough the first go 'round? Well, lucky for you, the panty gazing tour has just begun!

"Fight Scenes Mix part 2" gives us more of the same, but swaps out the ray guns for real ones. Also, the first half of the vid, the girls are clothed, while the second half they are topless. Put your 3-d glasses back on and dive back in to the snatch-o-vision :
So there you have it, panty lovers... more overacting, body pans, and crotch views than any man should be allowed to witness. As usual, Antony's pro camera work captures this snatchbox madness fantastically. If this kind of bit tickles your fancy, step right up and get you some direct from Antony here: wildstories.studio@gmail.com

Or at his gumroad store here: https://gum.co/eyGGJ and here: https://gum.co/xQMDP

Cheers! And happy crotch-watching!! - indie

OK, here's a 12 minute vid from Antony's Wild Stories studio that's a little bit different. This is what I would classify as "artsy," but at the same time, the very opposite of a "gun safety" video, lol.

The lovely Tamara is at home awaiting her lover, when she becomes a bit restless, so out of boredom, she noses around and comes across his 1911.
In a sequence that defies every ounce of gun safety practices I've learned in my entire life, she lounges about on the bed playing with it, somehow intrigued with her unfamiliarity.
She also becomes fixated on the fancy painting hanging above the bed, which features a semi-naked woman sprawled out on a couch.
As she continues to look at the painting, she poses on the bed and takes a selfie using the pistol, resulting in a single round hole placed perfectly in between those perfect spheres that protrude out of her chest.
While it appears intentional, her reaction also seems somewhat surprised, and she seems to wrestle with her thoughts emotionally on the bed for a bit before calling her lover on the phone to explain she has killed herself.
She then goes through a bit more emotional distress, then, sensing her end is near, does her best to emulate the painting in her death pose.
Her lover arrives home later, and after gazing upon the scene, decides it's not quite perfect, so he removes her stockings to better match the girl in the painting.
And there you have it, fine art lovers - A very artsy piece for you with a fancy painting, a lovely, suicidal girl, and a musical score to match the mood.

You can slip on your smoking jacket and light your pipe, open a bottle of chateau le whatever, and bask in the demise of this poor, impatient lass as she shreds every rule of textbook firearm safety in a matter of seconds, lol!

So the moral of this story is... if you've got a super hot old lady with amazing knockers waiting at home for you, quit fucking around and get home!! And if you're going to be late, don't leave your goddamn piece lying around where she can find it, or at least teach her some gun safety!!

As usual, you can donate to Antony's worthy cause and get this vid for yourself by contacting him directly at: wildstories.studio@gmail.com

His site: www.wildstories.net

Or gumroad: https://gumroad.com/l/IoUgg

And please remember to put your safety on, lol! Cheers! - indie

I was rewatching an old classic thriller movie from 1960 called "Eyes without a face" the other day, and thought I'd post a few things from it. I did a site search to see if the resident experts (mainly Big O and G-Man, lol) had already covered it.

I found a posting from Big O, but it only mentioned a single death, so I'll go ahead and do a full review here. If this has all been covered before and I somehow missed it, please forgive the double post.

This is a neat little subtitled french movie about a surgeon who had a car wreck, which caused his daughter's face to be disfigured. He then begins to abduct girls and graft the skin from their faces onto hers in an attempt to restore her beauty, but as you can imagine, things don't go as planned.

This movie should be of particular interest to all you fans of body carrying / dragging, as there is a fair amount of it to be had here.

The movie starts with his secretary / henchwoman dumping the body of his last victim into the river. Body draggers and foot gazers rejoice! Both are featured here. The woman shamelessly chucks her body into the water like a sack of potatoes...
You see, the doctor has reported his disfigured daughter missing, and she stays hidden away at the house, wearing a creepy mask. So when the body of this victim is found in the river, the police ask the doctor to come and see if it's his daughter, since her face is uniquely damaged like hers was known to be. The doctor looks at the corpse in the morgue, and falsely claims it is his daughter, while the real father of that poor girl is there, but turned away! (no morgue view, other than covered in a sheet on the table, sorry necro fans)

He even stages a fake funeral and burial in a crypt at the cemetery.

Then, they lure their next young victim to their house under the guise of renting a room to her. The good doctor chloroforms her, then he and the henchwoman double carry her to his secret laboratory.
Later, there is a detailed surgical face removal that I think was really unprecidented in terms of graphic depictions at the time...
The poor victim later wakes, makes a run for it, but ends up launching herself out of an upstairs window to her doom below. The fall itself is not shown, only a scream during her pursuit, then a look from the doctor at the end result from the window above...

Hmmm, what to do... what to do... Aha! We'll just take that body to the crypt where the previous victim is buried, and chuck her in, too! And that's just what he does... yup, more body carrying... and when he shamelessly chucks her into the hole, the sound of the body landing is priceless, lol!
Unfortunately, the daughter's body has rejected yet another face graft, so it's back to the drawing board, and now the daughter's former fiance is starting to get suspicious, and he schemes with the cops to force some delinquent tart to pose as the doctor's next victim.

But the guilt of what has been going on has taken it's toll on the daughter, and she cuts free the would-be victim from the operating table, then plunges the scalpel into the neck of the henchwoman.

In a stellar display of true pro acting skills, the woman conjures tears in a split second as she stares forward in disbelief, slides down a wall, and slumps over dead...

The daughter then frees a bunch of caged dogs that the doctor was using for his experiments, and they maul him to death as she shambles off into the woods in a state of delirium. FIN.

A timeless classic for those who appreciate vintage horror, and perhaps some new delights to those fetishists who haven't seen it before. Either way, a treasure to be sure. Cheers! - indie

This is a great description, Indie..! And yes, the SOUNDS made by bodies, and the casual throwing of a body are incredibly erotic. Maybe G-Man can find this in his unbelievable archive and post THESE extra clips as well as the throat-piercing death scene. (And yes, the tears are what make that!)

I have uploaded my 17 minute cut of all the DS scenes from this movie here: https://www.filehosting.org/file/detail ... ontage.mp4

There are also some more screencaps posted in the image share thread here: viewtopic.php?f=6&t=18348

I've been wanting to get around to this one for a while now. I've been an avid watcher of horror movies since I could walk. I used to sneak up late at night after my parents went to bed so I could watch the stuff I wasn't supposed to in the early 70's.

For whatever reason, I loved the stuff and couldn't get enough. I loved being scared of the monsters, murderers, etc. But I can honestly say there were only a handful of films that truly scared the hell out of me as a child. This is one of them... and it didn't even come out until I was ten. This is one of those films that you do NOT want to show to your young'uns. They will have nightmares.

*** NOTE - Those turned off by any presence of pregnancy or related subject matter may want to skip this one. ***

"The Brood" is one of David Cronenberg's earlier offerings. He may be a commie bastard, but by god he could write and direct good horror movies in his younger days. This one is supposedly inspired by his real life nasty divorce and custody battle he was going through at the time, and boy does it show in the story.

This is a difficult movie to review here, due to so much content involving characters of such a young age, so much of what I would like to post, I will not be cause I don't feel it would be appropriate here. But in doing so, much of the weight of what is happening in the movie, and much of what terrifies the viewer is left out.

I'll explain the best I can, however, and if you haven't seen this treasure, and you're a serious horror fan, this is simply a must-see.

So Samantha Eggar is a troubled mother who is tucked away up at Oliver Reed's special psychiatric hideaway in the woods, receiving his unique "psychoplasmic" treatments. These mental treatments result in the manifestation of the patient's anger into actual physical changes in their bodies. In most cases, these are rashes or boils, or even cancerous tumors brought out through the expression of their rage. But in Samantha's case, these manifestations are taken to a further level...

*** Spoiler Alert *** If you haven't seen this movie, and are a real horror fan, stop reading and go watch it.

Since Samantha's mental issues revolve around her own motherhood, her angers manifest themselves in the form of growths that actually form into little beings, which grow like fetuses in a sac from her abdomen. She produces these mutants at a rapid rate, and they grow quickly, but not past the size of a dwarf.

We don't really find this out until much later in the movie, which is part of why it's so scary in the earlier parts when these "brood" come into play, since a good look is never given of them early on.

So as she expresses her angers, these brood, who are connected with her mentally, automatically go out and do her bidding, releasing her anger toward those she scorns.

The first victim is her own mother, who is babysitting her young daughter at the time. As she goes into the kitchen to investigate a noise, she is surprised by one of the brood. The audience is not given a good look at the creature at this point, but if you're watching closely, quick flashes tell us it's small and looks to be wearing a snowsuit of the type we used to wear in the 70's. And this is part of what makes it so scary.

Granny is jumped by the broodling who is wielding a meat tenderizer that happened to be convenient in the kitchen. A savage bludgeoning about the head is the result...
When the daughter hears the noise and goes to the kitchen for a look, she finds poor granny like this...
She then catches a small glimpse of the perpetrator through the railings on the stairs before it darts away...
This brief glimpse is what horrified me the first time I saw it. It was expertly crafted to be a "blink and you miss it" moment, so as to scare you, but not give enough away to let you know what the hell it was.

When I saw that single second worth of film the first time, it was late and I was watching it alone in the dark, as usual. It scared me so bad I got up and shut the TV off right there. Then I slept with my bedroom light on all night.

It wouldn't be until later on, during some Saturday afternoon "Creature Feature" episode that I would get to see the full movie. But the damage had already been done...

You see, my grandparents' old house also had a staircase with a small railing like that, and we children were NEVER allowed to go upstairs. We went our entire childhood not knowing what was up there waiting in the darkness. So every time I was there henceforth, I looked at those railings and wondered if one of these creatures was lying in wait up there in case we dared to be nosey...

Anyway, on with the show... There are a few other deaths that I won't feature here because they're men. But when the mother thinks something is going on between the kindergarten teacher and her husband, a couple of broodlings visit the school where the daughter is.

Fans of Cronenberg's early work will know he's Canadian and that's where he made his films, too. And given their nice, cold winters up there, broodlings dressed in hooded snowsuits and scarves blend right in at the school.

They take out the mother's anger on the teacher, and once again, through convenience, they are armed with little mallets that were present in the classroom. You know, the kind used to teach kids how to pound little pegs into holes? Oh, you don't remember those? Well here... have a gander...
This is a scene I doubt anyone would ever film today, in our current political climate of liberal candy-assery. This woman is savagely beaten to death right there in front of the whole class of kindergarteners, and the camera pans to them and shows their horrified reactions. There's no way they would film that nowadays. They MIGHT add in the individuals digitally in post-production or something, but even that would be pushing it in today's climate of EVERYTHING being inappropriate.

Art Hindle rushes in just a moment too late, and now his daughter is missing, having been ushered out and back to her momma by the broodlings. He kneels to inspect the dead teacher, then in an act of kindness that could only be Canadian, he puts one of the class members' drawings over her bloody face to shield their poor eyes, lol...
So it's off to the woodland retreat to visit momma and the good doctor. By this time, Oliver Reed has realized the drastic results of his treatments, and evacuated the rest of the facility. He sends Hindle in to deal with the mom, and he goes up to the bunkhouse full of broodlings to rescue the daughter.

Well, as you might imagine, things don't work out so well, and momma gets angry. When she does, the brood goes into auto-anger mode, and the battle is on. Hindle is forced to strangle his wife downstairs while Oliver Reed is upstairs going at it against the brood at about 20-1 odds. He doesn't fair so well, but Hindle throttles his wife while she holds the new fetus she just tore out of the sac on her belly and as she dies, the brood dies with her, as they were one in the same.
Strangle fans should like this 35 second scene, as considerable attention was paid to Hindle's close-up expression as he throttles her. I can't help but wonder if this scene didn't inspire Tarantino to film Waltz strangling Diane Heidkruger the way he did in Inglourious Basterds.

In fact, when I look at this scene now, I can't help but put 2 and 2 together and wonder if Bluestone was called in as an expert consultant for the wife's death. After all, it was filmed up north, and he is Canada's most renowned strangler... so it's not a stretch to think he might have even been hired as a stand-in for the throttling itself. Since the camera cuts back and forth between Hindle's face and Eggar's throat, those could be Blue's veteran hands doing the actual deed... Yes, yes... I think that's the story I'll stick with...


Again, there are many screencaps that I would like to have included here, but for obvious age reasons, I did not. I can't recommend watching this entire flick highly enough if you're into horror. The way it was shot coupled with the chilling soundtrack = WIN.

However, I get that many here are perhaps only interested in the female deaths, so if there is enough interest, I can edit down a montage of the death scenes and upload it for you all. Either way, there is certainly content here for nearly everyone to enjoy. Just remember to leave the lights on... Cheers! - indie

In this offering from Sophie's, we find Orsi and Sophie herself have been captured by Susanne and Ildiko and are about to be executed as spies.

First, Sophie is escorted right past her own coffin out to the execution post, bound, and blindfolded before being riddled with bullets by unseen marksmen at Susanne's bidding:
She slumps down the pole to her death, but Ildiko is kind enough to give her a little goodbye kiss in the form of an extra slug to the head:
Then it's Orsi's turn. She tries to claim she is not a spy, but a famous actress. Ildiko says "Ok, so you will die with your famous tits out," and makes her take off her top, lol!
Here, she gets a little extra emotional torture as she is walked by Sophie's body now on display in the open casket on her march to the execution pole:
Once there, she gets the same treatment as Sophie, including the extra goodbye kiss to the head:
And that's what happens when you're branded a spy in Sophie's world. Hey, at least she got a nice open casket!

This can be bought at Sophie's site here: https://www.sophiesfantasyart.com

Or drop her a line directly here: solo1750@gmail.com

Cheers! - indie

Gather 'round gore fiends, here's another one from the master, Lucio Fulci. "The New York Ripper" from 1982 is a typical slasher made like all the rest during that period in the early eighties when they reached their peak of popularity.

As you can imagine, though, since it was directed by Fulci, it was "a cut above" the rest (hehe, excuse the pun). He adds his usual flair of gore and even an extra bit of sexy filth in this one. As it has the tried and true "slasher" plot of some nut just going out and carving people up, I'm not going to get super descriptive about the plot details, as there's really no point. Of strange note, though, is this guys trademark of making Donald Duck sounds as he carves up his victims.

So the first girl that gets it is a little tart that ran her mouth a bit too much, so she gets trapped in a car with the killer while on a ferry. He plunges his switchblade into her gut and lifts it up several inches, then stabs her breast, then cuts her throat. Another view is given of her on the autopsy table:
The next victim has just finished a live on stage sex act show in a porno theater. When she goes backstage to freshen up after her show, the killer jams a jagged, broken whiskey bottle into her lady parts, then twists it around, giving quite an original death scene:
Then, a young girl has a nighmare that she's being chased by the killer. He cuts her once in the leg, and she runs inside a theater, where he catches her and begins carving her up again with a straight razor.
*** Continued in next post ***

In what was surely another first, we are shown a POV from inside her slashed throat looking out into his eyes :
The next gal is a sex-hungry strumpet who picks up some dude who takes her to his place and ties her up. As she lies there, she begins to suspect he's the killer, so she undoes her bindings and escapes..... only to be confronted by the REAL killer in the hall, who lets her have it with his switchblade again:

His last victim gets a good old-fashioned razor blade in likely a THIRD first on the screen, as it's drug slowly through the center of her nipple, severing it in two. It's then drug down her forehead through her eyeball, the way only Fulci could do:
And there you are, another macabre offering from the master, just before he became sort of washed up in the late eighties. If you like gratuitous violence, gore, and nudity, this is right up your alley, served up in all of it's 80's goodness. Cheers! - indie

Here's another offering from White Wolf Productions. "The Set Up" features Orsi as an undercover agent in prison. She's there to trick the corrupt rogue agent Angie into thinking she'll work for her as her personal assassin.
Angie takes the bait, offering to reduce Orsi's sentence, and pretty soon Orsi is waiting in Angie's house instead.
Angie gets home and Orsi reveals to her the real story, then puts a bullet in her ribs.
As Angie is doubled over in agony, Orsi stands and puts a second shot in her forehead, ending poor Angie's treachery once and for all.
Angie collapses on the couch, and before she leaves the scene, Orsi undoes her top, then decides she likes her thigh-high boots, so she takes them for herself, giving us a look at Angies feet in her shorty fishnet stockings.
Coming in at around 5 minutes, this one is short and to the point, introducing us to the character of Orsi Allen in what is to be a series of her adventures as a special agent.

This can of course be bought directly from Sophie at: solo1750@gmail.com

Or from Sophie's store at www.nicheclips.com

Support your producers!! Cheers! - indie